For one work, full body scans of the artists have been printed in three-dimensions to produce reduced-size replicas. These figures, together with other objects, form a procession lit by a light source attached to a model train. Moving shadows are thrown across the gallery walls in a work that explores an often uneasy and disconcerting relationship with miniature realities, doubles, doppelgängers and animated dolls.

The exhibition is accompanied by a catalogue, with an introduction by Clare Lilley and essay by David Thorp.